The zoom-in can also be done with the shortcuts CMD +/- or CRTL +/.
It's very easy to use but before anything else, it's better to zoom a little in the image in order to place the vertical lines more accurately. If the result's not good, you need to align the panorama manually by clicking the second icon below. Note! When the rendering is done from the main window, its functionality " align automatically" has been applied by default.
€0.99 or 1 credit / video - Duration: 5'49 If you need it with another projection, you have to skip to another compatible geometry, make your leveling and go back to the chosen geometry. To make it horizontal again, there are two tools: " Automatic alignment" and " Vertical lines tool".Ĭaution! the vertical lines tool (hence manual) is only available with rectilinear and spherical projections. It often happens that the panorama isn't perfectly horizontal - while we want it to be. (Contribute to the development of this site by buying this DVD from the link above.) €0.99 or 1 credit / video - Duration: 4'10īuy and watch this video tutorial from (This tutorial has been made with Autopano version 2.5) Two important new features in this version 4.0! These new features are: the " mask mode with visualization of the limits of the mask" and the automatic correction of vignetting and/or gradient. We work in After Effects, Cinema 4D, Maya and 3D Studio Max and depending on the budget, almost anything is possible.In this second part dedicated to panorama edition in Autopano Giga, we'll review all alignment tools (vertical and horizontal), of the new layer mask mode, the colors editor and finally, the HDR fusion. Motion Graphics - In some cases, motion graphics will be needed. This will involve traditional processes like music selection or composition and foley, but will also involve spatialising the sound for a 360° experience ready for VR headset or online 360°. Spatial Sound - Once we have picture lock and a finished image our sound designer can start work on creating the spatial soundscape for the video content.
Autopano video pro 2 workflow full#
We have in-house Adobe Premiere facilities and partnerships with houses in Soho and east London for full DaVinci Resolve and Baselight suites as well as multiple freelancers. It does, however, involve a great deal more work, as rather than just grading a 16:9 frame, we're grading the full 360° (at least 4 times the size). Much of this work will be done in After Effects, Nuke or Mistika, but some more complex shots may need some VFX work.Ĭolour Grading - Colour grading 360° video footage is much the same as grading 16:9 footage and is normally dictated by the choice of 360° camera and the shoot conditions. In the fine stitch, we will remove all of these elements, and deliver shots which are clean and usable.
By now we will be used to looking at the 360 edits of the proxy stitches, and this will often have stitch lines, lights or grip in shot, or indeed crew members in clear view.
Autopano video pro 2 workflow Offline#
There will normally be 2 rounds of changes, before locking picture and moving onto the fine stitch.įine Stitch & Clean Up - Once the offline edit is locked, and we have picture lock, we can start spending time on making the chosen 360 shots look as perfect as they need to look. This could either be by showing the film in a VR headset or by sharing it on a private video links (such as YouTube or Vimeo). We will normally work on an offline edit, based on the shooting script, which we will then share with the agency, client or broadcasters. It works in much the same way as it does for traditional content and we mainly use Adobe Premiere Pro. Offline Edit - Video editing is where the story of the VR 360 content is pieced together. Once proxy stitched, the shots will have discrepancies such as stitch lines or lights and crew in shot, but it is these rushes which we will start to work with in our offline edit. This can normally happen in a day or matter of days, depending on the volume of shots. Proxy stitch (AKA rough stitch) is where we quickly stitch together the footage that was shot to create our usable rushes. 360 shots need at least 2 different plates (often many more), and these need to be stitched to form an equirectangular asset (like a map of the world). Proxy Stitch - Stitching 360 video provides the biggest difference between 360 video post and traditional 16:9 post. We will always have a DIT on set backing up the footage, but once back in the studio, the material will be organised carefully to prepare for an organised and efficient post-production process. Media Management - With so much footage created in VR 360° video production, media management is key.
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